In the grand theatre of Sydney’s urban evolution, few acts are as stirring as the transformation of the Cutaway at Barangaroo. What once stood as an enigmatic cavern carved beneath sandstone cliffs is now surging toward a future filled with light, life, and a fresh cultural pulse. It is a tale with all the right ingredients—vision, heritage, sustainability, and no shortage of good old-fashioned determination.
Halfway through its metamorphosis, the Cutaway is shedding its raw, industrial skin and emerging as a world-class venue worthy of the world’s stage. Once a concrete shell known more for its potential than its performance, the space is now being meticulously refitted to serve as the beating heart of Barangaroo’s cultural revival. This revival speaks to the soul of Sydney itself.
Let’s not mince words: the ambition here is grand. This isn’t just a facelift; it is delivered by FDC Construction & Fitout with the architectural minds at FJC Studio. It’s a full-blown renaissance. Flexible event spaces, polished acoustics, enhanced lighting, and amenities fit for the 21st century are all part of the script. This is about function meeting flair with the poise of a prima ballerina.
“It’s a once-in-a-generation project,” said Emma Thomy, Project Director at FDC. “We’ve already completed the internal mezzanine, the skylights are nearly done, and the feature cladding at the entrance is taking shape. This isn’t just about building walls—it’s about building experiences.”

Sydney’s subterranean wonder takes shape—where hard hats meet high hopes beneath Barangaroo’s sandstone crown.
Let’s not forget what truly sets this project apart: a dedication to sustainability that’s not just lip service. Over 90% of construction waste has been diverted from landfills, and carbon emissions have been halved compared to standard benchmarks. In a city that’s slowly learning to value green alongside gleam, that’s no small feat.
When it opens fully in late 2025, with cultural programming slated to begin in 2026, the new Cutaway can host anything from art installations and food festivals to orchestral performances and gala events. In short, it’s being built to bring people together—and give them a reason to return.
But this isn’t just about bricks and mortar. As Minister for the Arts John Graham said, “The transformation of the Cutaway represents the next chapter in Sydney’s cultural evolution. It’s not just about the events it will host but the heritage it honours and the creativity it nurtures.”
Quite right. The Cutaway sits on land that has long been significant to the Gadigal people of the Eora Nation. Any effort to reimagine such a space must do so with a sense of reverence. And thankfully, this one does.
Minister for Lands and Property Steve Kamper was equally effusive: “There’s no doubt that once completed, the Cutaway will be the beating heart of Barangaroo. It’s going to be a destination in its own right—a cultural compass point for locals and visitors alike.”
This reinvigoration of Barangaroo aligns neatly with the Minns Government’s broader campaign to re-enchant Sydney’s social and cultural life—relaxing restrictions on late-night trading, lifting concert caps, and putting money where the music is.
Barangaroo has always been a bit of a paradox: a sleek finance district with more suits than singers, more meetings than murals. But the tide is turning. With the metro now open and Central Barangaroo in development, there’s a palpable shift from corporate to cultural, grey to glorious.
This feels like a homecoming for those nostalgic for a Sydney that wasn’t afraid to let its hair down. The Cutaway is poised to be more than just a venue. It’s a promise that Sydney still knows how to dazzle—and that the best nights are still ahead.
So yes, the concrete’s still setting. But the vision? That’s already rock solid.
By Anne Keam
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