The sixth edition of the Singapore Biennale 2019 (SB2019) concluded on 22 March 2020, welcoming over 400,000 visitors across 11 venues with more than 26,000 participants taking part in its range of public programmes and art experiences. Art lovers in Singapore and around the world were also invited to explore the Biennale through interactive digital initiatives and online resources, attracting an online audience of more than 90,000. Commissioned by the National Arts Council and organised by Singapore Art Museum (SAM), the international contemporary art exhibition presented 77 artists and collectives from Singapore, Southeast Asia and beyond to engage with the conditions of contemporary life and the human endeavour for change. SAM will continue to lead and organise the next edition of the Singapore Biennale in 2022.
A City-Wide Presentation of Artworks and Art Experiences
SB2019 was presented not only in the city’s cultural institutions and spaces, but also brought contemporary art directly to the public through performances and works staged in public spaces like Far East Plaza and the Esplanade Tunnel, through chance encounters and participatory experiences beyond traditional gallery walls with seven Coordinates Projects and Biennale public programmes.
Led by Artistic Director Patrick Flores, the team of six Singapore Biennale curators brought together independent and institutional backgrounds from across the region, reflecting a wide spectrum of interests and experiences, while also offering opportunities for invigorating conversations and perspectives. Reaffirming the Biennale as a critical platform for contemporary art in Southeast Asia, SB2019 presented 50 new commissions this edition, as well as works that have rarely been shown in Asia, in diverse mediums including film, installation, sound art, new media and performance.
“SB2019 has been a tremendous opportunity for the curatorial team to present local and international visitors with a diverse range of artworks and projects that span cultures, geographies, and histories. Many of the artworks on view share histories, narratives and memories that offer beauty and delight, as well as moments of deep reflection on poignant social and political issues that underpin our intertwining cultural histories. In today’s socio-political landscape, it is more important than ever to consider the transformative potential of art, and we hope that the Biennale offered visitors opportunities to consider how we might make steps of thoughtful change towards a collective future,” comments SB2019 Artistic Director Patrick Flores.
“SAM has always been committed to presenting contemporary art through the lens of Southeast Asia. This edition of the Singapore Biennale has provided a platform for artists in the region to engage with global dialogues about art as agency in our societies today. Although the past few months have been challenging for the global community, we are encouraged by the interest and attendance from the public who have visited the exhibition and participated in our events. We look forward to continuing the examination of the role of art and artists explored by Patrick Flores and his curatorial team in ‘Every Step in the Right Direction’, through the next edition of the Singapore Biennale,” adds Eugene Tan, Director of Singapore Art Museum.
SB2019 Programming Attracted Diverse Audiences
Throughout the exhibition run, SB2019 presented a wide range of programmes for visitors of all ages and backgrounds that welcomed more than 26,000 participants. In addition to daily multi-lingual guided tours at National Gallery Singapore and Gillman Barracks, SB2019 offered free admission for Merdeka and Pioneer Generation card holders, a series of accessibility programmes, as well as specialised activities designed for children and seniors.
Some of the best-attended SB2019 public programmes included Kopi, Teh and Contemporary Art – multi-lingual tours led by senior volunteers in English, Mandarin, Hokkien, and Malay; themed curator tours that highlighted shared themes and ideas among artists and artworks; a sold-out series of Art & Wellness programmes including yin yoga, gong baths, and guided meditations within art spaces to encourage new ways of experiencing art; the Art and Poetry Spoken Word Trail where poets responded to and read their poetry aloud at select Biennale works; and Artist-Run Programmes, such as Singapore Really Really Free Market and Ghost Story Campfire Night IV: The Love Edition by SB2019 artists Post-Museum.
.jpg){kind=tracking}
